Description
Introduction Black Performance I: Subject and Method
Stephanie Leigh Batiste
Solano Trindade’s Gift to Alvin Ailey: New Evidence from the Black Archives of Mid-America
Ananya Jahanara Kabir & Francesca Negro
Afrosporic Intimacies: Breath, Song, and Wind in M. NourbeSe Philip’s Zong!
Sasha Ann Panaram
Feeling and Falling in Arthur Jafa’s Love is the Message, the Message is Death
Christina Knight
Reppin’ Blackness: Five Beats on the Art of Derrick Adams
Isaiah Matthew Wooden
The Afterlife of Aretha Franklin’s “Rock Steady:” A Case Study in DJ Scholarship
DJ Lynnée Denise
Book Reviews
The Anti-Black City: Police Terror and Black Urban Life in Brazil by Jaime Amparo Alves/Stephanie Reist; The Golden Rhinoceros: Histories of the African Middle Ages by François-Xavier Fauvelle/John K. Thornton; Ezili’s Mirrors: Imagining Black Queer Genders
by Omise’eke Natasha Tinsley/Darius Bost; Street Players: Black Pulp Fiction and the Making of a Literary Underground by Kinohi Nishikawa/Zachary Manditch-Prottas
More information about the issue can be found here.

![[SOLD OUT] At the Limits of Desire: Black Radical Pleasure. Summer 2020 Vol 50, No. 2](https://www.theblackscholar.org/wp-content/uploads/2020/05/RTBS_I_50_02_COVER_555-1-300x436.jpg)
![[SOLD OUT] Black Masculinities and the Matter of Vulnerability. Summer 2019 Vol. 49, No. 2](https://www.theblackscholar.org/wp-content/uploads/2019/05/RTBS_I_49_2_COVER_555-300x435.jpg)

![[SOLD OUT] What Was Black Studies? Fall 2020 Vol 50, No. 3](https://www.theblackscholar.org/wp-content/uploads/2020/08/RTBS_I_50_3_COVER_555-300x428.jpg)
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